This Weekend’s Practice Run with my Flying Camera

I don’t like calling it a “drone” because that’s not what it is. It’s a quadcopter camera. The word “drone,” to me, puts it in the category of a weapon currently used in warfare, and I am 100% not into that.

To me, it’s a tense exercise because it’s a really nice camera and it’s expensive, and one wrong glitch at the wrong time can make it go poof and go away. I can’t say that about any of my other cameras, which are strapped to me at all times. This one just floats around and flits to and fro like a dragonfly.

I bought it for work, but as yet haven’t done anything professional with it, as first I need to get a professional drone license. Yes, I need a professional license to fly it if I want to make money with it. Right now I only have a recreational license, so everything I’m doing is for practice and “fun.”

Like these rather boring photos I took of our local botanical center this weekend…

Two things I learned with this: late afternoon is not a good time to take aerial architectural photos, nor is this the right time of year. It’d be better in spring with everything green.
Peek-a-boo! Looking down through the glass skylight.

One of the things I eventually want to do is start using this flying camera for taking real estate pictures as a side gig, which is why I’m taking pictures of buildings. Here are a few from last year, when I first got this camera.

Figge Museum, Davenport Iowa
KONE Centre building, Moline Illinois (this is actually the first picture I took with this camera).
Cabins you can rent at a local park.
Downtown Davenport riverfront.

One of the most nerve-wracking things for me to do is fly the camera over water, but this weekend I applied the “Fear is the mind killer” mantra from Dune and sent the buzzing little busybody out over the Mississippi River, and took a photo of the center of our local Centennial Bridge from the middle. Despite the cold, my palms were sweating the whole time it was out there, and I didn’t even get a great photo because I was in too much of a hurry to get it back over dry land.

The view was better from the sunward side anyway…

Again, this would be a lot nicer in the Spring. 🫤

I think my favorite images I’ve captured with this flying camera are of ruins. Not ancient ones, but the more recent urban decay variety.

And then there’s scenic sky shots, which this camera seems to excel at, but only when there are a lot of clouds.

This one is, I think, a winner. I’ve used it as a banner image on websites.

Anyway, that is what I was up to this weekend. That, and working on the latest novel. Here’s a sneak peek at the cover:

No release date is set, yet, but it should be out before the end of this year. Like I keep saying after every new book, “This one is probably my last.”

The Paradox of Wanting to Be Alone (and Feeling Like I Shouldn’t)

Sometimes you are your own best company.
Sometimes you are your own best company.

Lately, I’ve been feeling antisocial. I don’t exactly know why. Maybe it’s the general state of the world—this endless barrage of bad news and noise. Maybe it’s just one of those moods that creeps in unannounced. But whatever the reason, I find myself withdrawing, and then almost immediately, I start questioning it.

Shouldn’t I be more engaged? Shouldn’t I be reaching out, staying connected, being a part of things?

It’s a strange contradiction, isn’t it? The mind always seems to whisper two things at once: You should be with people. You should be alone. And whichever one I choose, the other lingers in the background, second-guessing me.

But here’s something to consider—who is this “I” that both craves solitude and thinks it should be social? It’s as if I’m split into two selves: one that feels the pull of isolation, and another that stands back, observing, questioning, making judgments. And the real struggle comes from believing that one of them must be right and the other must be wrong.

In reality, there’s no rule that says I must be social, just as there’s none that says I must be alone. Both are natural states. Sometimes we withdraw, sometimes we engage. Sometimes we are like the moon, hidden in shadow; other times, we reflect light back into the world.

The important thing is not to force myself into socializing out of guilt or obligation. Can I just sit with this feeling instead? Can I let it be, without trying to fix it? Because maybe solitude is exactly what I need right now. And when the time is right, I’ll gravitate toward people again—not because I should, but because I want to.

So, for now, I’ll be as I am, without forcing anything. And if I do rejoin the world, I’ll do it the way a musician rejoins the orchestra—not because he has to, but because he feels the rhythm calling him back.

America’s Cruise to Nowhere: Late-Stage Capitalism in Motion

This 1911 cartoon “Pyramid of Capitalist System” depicts the hierarchy of a capitalist society - the wealthy and powerful literally resting at the top, supported by workers at the bottom. Over a century later, critics argue this pyramid remains intact, with late-stage capitalism further widening the gap between the base and the apex.

Are we racing full speed toward disaster like the Titanic?

Late-stage capitalism describes a system plagued by extreme inequality, corporate dominance in politics, and unsustainable consumerism. In 2025, the White House and Republican-led Congress embody this phase, with policies overwhelmingly benefiting the wealthy, corporate interests steering decision-making, and environmental protections discarded despite looming crises.

President Donald Trump’s economic policies reflect late-stage capitalism’s defining traits. His administration’s tax cuts, projected to reduce federal tax revenue by $5 trillion to $11 trillion over a decade, disproportionately benefit high-income individuals and corporations. Critics argue this follows the pattern of privatizing gains while socializing losses, as resulting deficits will lead to devastating cuts in essential social programs. While supporters claim these cuts will spur investment and wage growth, historical trends show corporations most typically use such windfalls for stock buybacks and dividends, inflating asset prices and enriching executives rather than benefiting workers.

Tariff policies, including a 25% levy on imports from Canada, Mexico, China, and the EU, further worsen economic instability. These measures will lead to higher consumer prices and job losses, mainly affecting lower-income populations. Nobel laureate Joseph Stiglitz calls this approach “crony rentier capitalism,” a system that enriches capital owners at the expense of the majority, concentrating wealth and power — a hallmark of late-stage capitalism.

Trump’s Cabinet, filled with ultra-wealthy individuals and former corporate executives, reinforces the melding of economic and political power. Elon Musk, for instance, inexplicably appointed head of the Department of Government Efficiency (DOGE), is an unprecedented Cabinet role. Other figures, such as Defense Secretary Pete Hegseth and Attorney General Pam Bondi, illustrate the administration’s preference for high-profile personalities from business and media.

Meanwhile, Trump’s close ties with corporate leaders raise concerns about policy manipulation. His private dinner with Amazon’s Jeff Bezos coincided with editorial shifts at The Washington Post, favoring narratives on personal liberties and free markets. Such engagements betray an open alignment between the administration and corporate interests, reinforcing the fact of an oligarchic system favoring the elite.

To maintain support amid growing inequality, the administration relies on distraction. Trump’s media strategies — hot-mic moments requesting praise, restructuring the White House press pool to favor right-wing outlets, and grandiose claims — align with late-stage capitalism’s preference for spectacle over substance. Policies that primarily benefit the elite are masked by absurd political theater, diverting public attention away from where the damage they’re doing is on full display.

Late-stage capitalist societies historically show similar trends: extreme inequality, corruption, and an elite detached from the struggles of the working class. Comparisons to the Gilded Age are inevitable, with billionaires amassing unprecedented wealth while income inequality reaches its highest levels since the 1920s. The top 0.1% of Americans now hold as much wealth as the bottom 90%, a concentration of riches reminiscent of the eve of the Great Depression.

Even the late Roman Empire offers a cautionary tale. Roman elites indulged in luxury and political games while their empire crumbled beneath them. Today’s ruling class prioritizes tax cuts for the ultra-wealthy over infrastructure, healthcare, or wage growth. Political theatrics — distracting narratives and populist rhetoric — serve the same function as Rome’s “bread and circuses,” keeping the masses entertained while real issues remain unaddressed.

Marxist and critical theorists predicted many of today’s patterns: wealth concentration, the capitalist class capturing political power, and the eventual crises caused by overproduction and inequality. Karl Marx foresaw capitalism’s self-destructive tendencies, where the system feeds on itself until it collapses. The current administration’s policies, favoring short-term corporate gains over sustainable economic stability, follows this trajectory.

Lenin’s view of imperialism as capitalism’s final stage finds echoes in Trump-era policies prioritizing resource control over global cooperation. Neoliberal scholars point to regulatory capture, erosion of safety nets, and public disillusionment with democracy — trends vividly displayed in today’s governance. The phrase “late-stage capitalism” has even gone mainstream, used to mock modern absurdities, from $5 million beachfront condos selling while sea levels rise to companies offering “thoughts and prayers” apps instead of healthcare benefits.

The Trump era exemplifies late-stage capitalism’s contradictions: wealth concentration, political corruption, and environmental neglect. Economic policies deepen inequality, political decisions serve the elite, and environmental stances mortgage the future for present gain. America today really does resemble a cruise ship where the first-class deck enjoys luxury, engine-room workers toil unrewarded, and the captain denies the iceberg ahead.

History shows such a trajectory is unsustainable. The question remains: will the U.S. correct course, or are we witnessing the final act of an empire on the brink?