For years I wanted to write a very realistic story of interstellar colonization, and now I’ve finally done it. At the time I started writing, it didn’t look like faster than light travel would ever be possible, but teleportation would be. Maybe. Eventually.

I also didn’t believe there would be a sufficient push to create interstellar colonization without the looming threat of global extinction. You know, something to pull humanity’s collective heads out of our own backsides.

One thing is definitely happening at some point, possibly at any time: a giant asteroid strike.

So here’s how I figured it would play out:

• A huge asteroid too big to divert is coming at Earth. And fortunately Earth has an early warning.
• Faster than light travel is still beyond Earth’s capabilities, but nanotechnology and cloning is in an advaced state, so that any plant or animal (or person) can be coded and resequenced, and recreated.
• AI has become fairly sentient and because of strict controls, absolutely trustworthy. No evil AI robots here.
• Earth constructs and begins sending out self-replicating unmaned space probes (Von Neumann probes) that can maintain themselves during the insanely long flights to distant star systems.
• When one successfully reaches a new star system, it seeks out resources to replicate itself and send out more copies of itself.
• When one successfully finds a planet that sustains, or could sustain, life as we know it — it lands and begins the process of building “life factories” that seed the planet with Earth life, and also humanity.
• Meanwhile poor old Earth lay in ruins, life having been wiped out tens- or (by then) hundreds-of-thousands of years ago.
• These probes would spread out across the entire galaxy, seeding life as we know it among the stars.

This is the basis of my newest novel, Seeds from Ancient Earth.

It follows Katherina, the first human created by the machines — she was the beta test human. We see her born, grow up, and eventually face the final cataclysm that ends Earth.

But then we also get to see copies of her on colony planets in numerous adventures, and how she discovers her own past and connects with all her various “sisters” across the galaxy.

From surviving alien elements, to future corporate intrigue, through love and loss and discovery, we see humanity evolve and adapt and survive through Katherina’s countless eyes.

We also get to see humanity reach the point where distance no longer matters, and the barriers between various realities begin to dissolve. And as humans become more machine than human, we see whether or not humanity itself remains.

Writing is one of the oldest and most important skills that humankind has ever developed.

As a specie on this planet it’s enabled us to game Nature’s systems to the point where we’ve become the ultimate overachievers. The ability to accumulate knowledge over the centuries, and even accelerate that accumulation, is supernatural in scope.

And yet we take it for granted.

As other species plod along through evolution, slowly storing up success stories in their DNA, we’ve leapfrogged them in a manner akin to putting on a red cape and hurling ourselves over tall buildings. We can now easily know something that someone else has learned, and yet we have never done.

Think about it.

Here’s a question for you: Do you believe in telepathy?

Mind reading? Think it’s a myth?

No, we do it every day.

Writing is the pure magic act of taking our actual thoughts and encoding them into symbols which, when someone sees them, the writer’s very thoughts are transcribed into the reader’s own mind.

Think it’s not magic? Let’s take a closer look at the process.

Consciousness itself is magical. No one truly understands it, but it happens to us constantly. A writer takes these ethereal, magical objects we call thoughts and assembles them into physical codes. Particles of light carry these codes into our eyes, where they are reassembled back into thoughts.

Seriously, ponder this for a moment. It’s mind blowing when you really realize what’s going on between a writer and a reader.

Now, if that wasn’t amazing enough, here’s an even deeper layer of magic. The thoughts you’re receiving via someone’s writing reach out across time itself.

Long dead ghosts still talk to us through their writing.

Your thoughts that you write can be experienced in the minds of people across vast expanses of time, hundreds or thousands of years later.

Maybe longer. Who knows? But, in this way, a writer can experience a form of immortality.

Writing is so magical it can even cheat death.

Now let’s talk about story. Story goes hand in hand with the ancient art of writing. It’s even older, going back to the origins of language itself.

But, what is story?

Storytelling is the art of making your thoughts interesting to other people.

Basically, that’s what it is.

It relates the storyteller’s experiences so others can experience them, and learn from them. Stories themselves, like ideas, are living things. They propagate from one person’s mind to another. They evolve. They split and become more than one story. They merge to become a different story. A story that goes from one mind to another is actually a child of the original, because the original still lives in the teller’s mind, and a slightly different version now lives in the listener. The listener then becomes the storyteller, and that story’s children are implanted into the minds of new listeners.

Like seeds.

Before written language stories were in constant flux, handed down from one generation to another through oral traditions. Each teller of a tale would either inadvertently, or perhaps purposely, alter the tale to fit the current circumstances. But then came written language, and the art of writing.

This made it possible to make identical copies of a story, and being that early stories carried important information for survival, this was humanity’s secret weapon against Nature herself. It was the Konami code to beat the elements.

And also, of course, it served as pure entertainment.

But the craft of storytelling inherently carries a message, either overtly or subconsciously — whether the writer realizes it or not. And you, as a writer, are that which from the message springs.

So, are you a writer? Do you tell people you’re a writer, or do you say you want to be a writer?

Here, let me tell you something: if you write things, you are a writer.

Period. Don’t let anyone tell you otherwise.

As writers — all writers — we improve with practice. Practice is in the form of writing. The more you write, the better you get. If you enjoy the act of writing, then you’ve got it made. Just keep doing what you enjoy, and learn as you go.

You don’t need a certificate saying you’re a writer. You don’t need a license. You don’t even need other people’s approval. All you need to do is write, keep writing, and never stop writing.

That makes you a writer.

As a writer, it’s a good idea to practice all sorts of different techniques so that you learn them, and then later make up your own. But then again, writing and storytelling are not like mathematics. There is no one true answer. Two plus two in math always equals four, but in storytelling two plus two can equal five*, just like one plus one can equal eleven.

Ultimately as a writer, you will find your own way.

Just keep writing.

— — — —

*bonus points if you get that reference

Recently my old friend Jeff asked me how to properly order absinthe while at a bar. Specifically he asked, “How do you order/drink Absinthe? I am a man of limited experience. I drink scotch neat, but not much else. However, I’m thinking of giving absinthe a try.”

He asked me this specifically because my friend Dan and I have a podcast about absinthe: The Green Hour with Dan and Jerry

At first, I pointed him to a resource on the Wormwood Society website: The Proper Way To Prepare Absinthe In Society. That tells you everything you need to know from people who are the experts.

But Jeff specifically wanted to know, “If I order it in a bar, what do I ask for if I don’t want to come across as an idiot?”

I had to think about it, and so, from my experience, I told him it’s usually a three-step process because a surprising amount of bartenders still think it’s illegal. But here is how I do it:

Step One

Ask the bartender, “Do you serve absinthe?” That usually results in a blank look or an “Uh, no.”

Step Two

If the answer is yes, then ask, “What kinds do you serve?” If they offer Absente then decline. It’s not real absinthe. But if they offer Lucid or Pernod(you have to make sure the Pernod bottle actually reads “Absinthe Superieure”) these are usually the two most common, and you’re in luck. If they have more than one type, or especially if they have something like Jadeor Pacifica (my personal favorites), then you’re at a bar where they probably know what they’re doing.

Note: There are now a plethora of locally distilled absinthe varieties that are often regionally available, such as Amerique 1912 from Wisconsin or Absinthia from California. Many are excellent, but if you’re feeling cautious you can always consult reviews on the Wormwood Society website before plunking down your hard earned cash.

Step Three

Ask, “Can I get it properly louched?” If they give you a blank stare then say, “I’d like it the traditional way, with ice water and a sugar cube.” If they make any move to light it on fire, decline. Never never light good absinthe on fire. You’d be wasting money and good absinthe. If you want a flaming drink order Everclear and a fire extinguisher.

More Info

If you are curious about absinthe and want to learn the truth about this often maligned drink, I urge you to go to the best source, which is the Wormwood Society website.

It’s a very good thing to have dreams and aspirations. The problem is, which ones do you chase? Which ones do you lock in as a goal, and work toward? For some this is a no-brainer, but for others — especially creative types who have a very large range of interests — choosing can be difficult. So difficult, in fact, that you end up making no choice at all.

Another pitfall is choosing to pursue something that, in the end, you lose interest in it. The time in your life is finite, and it’s a shame to waste that time and energy chasing something that turns out to be a whim. That’s why it’s best to invest some time up front, studying, to discover what it is you really want out of life before you dedicate a lot more time working toward it.

It’s like that Talking Heads song Seen and Not Seen, where the guy spends years slowly changing the shape of his own face to an ideal, which — halfway through — he decides isn’t what he really wants.

Here’s what I did, and it worked for me. Maybe it will work for you as well.

Spend a couple weeks making a list of the things you really want out of life. Don’t be afraid to think big. What is it you really want?

Don’t worry about listing them in order, and if you think of something else later, you can add it in at any time.

My [highly edited] personal example:

• See Europe
• Get a pro camera
• Write for a living
• Become a gourmet chef
• Paint pictures
• Pursue photography
• Own a combination coffee shop/book store
• Live in a beach house
• Learn computer programming
• Learn database programming

Make sure you don’t lose this list. I kept mine on a Palm Pilot, because iPhones weren’t around yet and I carried my PDA with me everywhere. You can keep it on your computer, in the cloud, or in a paper notebook you know you won’t lose. It doesn’t matter where just as long as it’s accessible and safe.

Now, over the course of the next 6 months to a year (or even longer if you’d like), go down this list and rate your desire for each one on a scale from zero to ten. Do it at least once a month. When you’re done, you’ll have a list of numbers beside each:

• See Europe — 8 / 3 / 5 / 9 / 9 / 6 / 7 / 7 / 8 / 10
• Get a pro camera — 8 / 9 / 9 / 4 / 5 / 6 / 3 / 7 / 8 / 10
• Write for a living — 7 / 9 / 8 / 9 / 7 / 6 / 9 / 10 / 9 / 10
• Become a gourmet chef — 7 / 2 / 3 / 4 / 3 / 4 / 8 / 4 / 5 / 4
• Paint pictures — 7 / 8 / 4 / 3 / 0 / 2 / 4 / 3 / 7 / 0
• Pursue professional photography — 6 / 10 / 8 / 2 / 0 / 2 / 3
• Own a combination coffee shop/book store — 4 / 0 / 3 / 0 / 2 / 2
• Live in a beach house — 9 / 8 / 10 / 8 / 9 / 8 / 7 / 8 / 10
• Learn computer programming — 1 / 1 / 0 / 2 / 4 / 0 / 0
• Learn database programming — 1 / 3 / 0 / 1 / 2 / 4 / 1 / 1

You can see immediately the goals I’ve consistently craved over time are things like a beach house and a really nice camera. One item that turned out to be a whim was my desire to learn computer programming.

Now, average each one up and sort them highest to lowest:

• Write for a living — 8.5 Average
• Live in a beach house — 8.4 Average
• See Europe — 7.3 Average
• Get a pro camera — 6.9 Average
• Become a gourmet chef — 4.5 Average
• Pursue professional photography — 4.5 Average
• Paint pictures — 3.8 Average
• Own a combination coffee shop/book store — 2.0 Average
• Learn database programming — 1.8 Average
• Learn computer programming — 1.1 Average

And there you go. You have a well-researched list of what you want out of life. Concentrate on the top of the list, and forget about everything averaging below a six in your ratings.

I did this about 15 years ago. I’m now writing for a living, I’ve saved up for and bought the camera (more than one, actually), and I’ve made it to Europe several times. And while I don’t live on a beach, I have an office with a beautiful view of the Mississippi River.

The lesson here, though, is once you’ve set your goals you know what to focus on and work toward — you can achieve them.

Now right in the middle of all this, you may stumble into something else that fires your rockets. Add it in. Pursue it a bit. Study it as well. Times change, interests change … if I were to do this list now, it would look substantially different.

The most important thing is to make sure you enjoy life and keep enjoying it. It could turn out that something on your list (that you’ve wanted for over a year) will suddenly drop off after you’ve started pursuing it. Maybe something you pursued while you were making your list takes its place.

It’s okay. If you feel a passion for something, and the passion doesn’t fade, you may not even need to make a list or study your long-term desires.

If that happens, then go for it!

If not, then at least you have a solid place to start. And everything you do, learn from it. If you can do that then nothing is wasted, and you’re living your life to its fullest.

When I was twelve years old, my parents gave me this:

My latest novel leans heavily upon not only me using typewriters since an early age, but on the several years I spent rescuing and repairing old classic ones back in the 1990’s. The story actually came from me thinking it would be funny to write a novel simply titled:

TYPEWRITER REPAIRMAN!

I know, I know. Silly title. What was I thinking? 

I can trace the idea back to a Monty Python skit called “Bicycle Repairman!” where there’s a world full of superheroes, but one of them steps into a phone booth during a time of need and changes into “Bicycle Repairman.” And he’s a huge hero to all the superheroes, who apparently have no idea how to fix a bicycle.

In my novel, however, it’s not a world of superheroes, but the main character does find himself embedded among a loose-knit group of powerful supernatural archetypes. To his dismay, they insist he’s fated to find a typewriter imbued with dangerous powers. And this main character, being a nerdy, socially awkward typewriter repairman, is forced further and further out of his comfort zone, and finds himself in an adventure (and love story) beyond his wildest imagination.

So that is Typewriter Repairman, available now, and if I can get off my butt and update this website I plan on setting up a way for people to order signed copies directly from me.

(I’ll post another blog entry here when that finally happens, and also send out a message to those subscribed to my newsletter.)

In other news, I have another book coming out within the next few months. This one is a science fiction that I’ve been working on for years, and it’s finally ready. Doomsday, cloning, Von Neumann probes, interstellar colonies, adventure and discovery … it’s all there. And it’s pretty hard sci-fi too, so there’s nothing impossible going on — in fact it’s all very likely, given enough time.

I’ll send out another newsletter (and post here to the blog) when that one is ready.

Until then, thank you for reading! It’s a crazy world out there … stay safe, and let’s all take care of one another.

Sincerely,

Jerry

I’ve been fascinated with the question, “What is reality?” since I was a teenager. I think I missed my calling in life, perhaps I should have been a philosophy major instead of a communications major. But then again, I have such a goofball sense of humor, no one would have taken me seriously — and philosophy seems to be oh so serious. Better to make light of the question while examining it than bog it down and make it dull. But let me break it down to a simple chain of logic based on what we know from science:

Action at a distance, which is the mind-boggling concept that particles get “entangled” and, what you do to one will affect its entangled partner — no matter how far the distance — implies that the two are actually connected even if they’re on the opposite sides of the Universe. How? It would have to be via dimensions we can’t perceive, and what we think of as two entangled particles are actually sections of the same particle. The two are a single object, but we can’t see the whole object because it actually has more than three dimensions. My conclusion: there are definitely more dimensions than what we perceive.

Heisenberg’s uncertainty principal shows us, without any room for doubt, that particles are affected by observation. Matter itself knows when you’re looking at it, and it behaves differently. My conclusion: awareness is built into matter.

These are just two pieces of a vast puzzle, but they’re enough to hint to me (and remember I’m a communications major with a wild imagination, not a scientist) that the Universe is both bigger and more complicated than you’d expect, and it is also self-aware. But not self aware as in how you and I are self aware, but in a bigger, grander, more complex way. But get this: you and I are part of this Universe. We are not separate from it, we are part of it.

We are the Universe and we are aware of ourselves. Hence, even from this perspective, the Universe is in fact aware of itself.

So if the Universe is aware, what is it doing? What is it interested in? If all it does is cosmic navel gazing, what is it watching?

We have strong hints right in front of us. The Universe seems to love beauty. It seems to love conflict. It seems to love drama.

It seems to love a good story.

Look through a powerful telescope and there are stories everywhere. Stories of birth, struggle, death, and rebirth. Stories of power, of gluttony, of conflict, and also harmony and beauty.

Stories of how chaos transforms into order — all by itself.

And all this is at extreme macro levels. Who knows what amazing stories unfold every second at every level in the entire cosmos — just look at all the drama, conflict, and beauty right here on our own little world.

And we see it all, and it interests us — and remember, we are part of the Universe looking at itself. What we see, the Universe sees, and what interests us also interests the Universe.